Wednesday, January 30, 2008

How Do Light Reactive Screen Work

Genesis

Sattwa Theatre was created by the BA in Dramatic Arts Luz Maria Quinn.
Born in Buenos Aires in 1978, began his art studies in 1991 as an actress.
studied acting at the National School of Dramatic Arts (ENAD) and then held at the National Institute of Arts (ex ENAD) degree in Drama.
Its core training is an actress. He worked in theater with Javier Daulte, José María Muscari and Mariela Goycoechea Martin Asensio, among others. He was a founding member of experimental theater group "Insomnia." Did some work in film, television and advertising.
As a teacher working since 2004 dictating acting training workshops and individual coachings. Is assistant professor of the art "Text Analysis" at the National Institute of Arts and was a member of the group of theoretical research of the university for three years.

"The training of certain questions that arise as an actress since transit time. On the one hand to work with Goycoechea Martin felt that in their process of creative experimentation had penned a potential training and I was interested in unveiling. On the other hand when working with different directors and witness various processes of theatrical experimentation began to walk a need to generate a new actor training that was being sued in the middle.
The first step was to discover what were the concepts related to these requirements, I was interested in a possible experience in training. Characterize the "actor model, list the tools that it needs and so then formulate functional exercises that search.
During the first months of practical research I had the help of Juliet Petruchio, Soledad and Martin Goycoechea Cagnoni (founding member of the group "Insomnia"). The work done throughout those months was aimed at the creation of model exercises. An exercise worked, when he could find all possible variants, is archived and continue with the investigation. My intention at this stage of work was not teaching in relation to the actors involved.
From this research I began to try and reformulate these group exercises and individual teaching classes for professional actors and amateurs. Fortunately
training is a living organ, is constantly modified, enriched with experiences that bring new students and with my personal growth. "(Luz Maria Quinn) Theoretical Framework

0 comments:

Post a Comment